The museum is very well done, and it takes visitors through the civil rights struggle from after the Civil War to the present. Without going into too much detail, these are some of the exhibits that struck me (click on each photo to read the text):
I’m amazed at all the picayune ways white supremacists enforced segregation.Challenges to segregation including the flyer that was distributed to boycott the buses in Montgomery after Rosa Parks was arrested; a pamphlet for helping African-Americans navigate Route US-40 and challenge segregation; and a very good question.
Documented human rights abuses.
Recreations of scenes from the March on Washington and the Memphis Sanitation Workers’ strike that brought Dr. King to the Lorraine Motel.
Memphis was our first real bout with winter weather. Didn’t we take the southern route to avoid this?1
Welcome to Beale Street!
In another instance of serendipity, we arrived in Memphis during the International Blues Challenge 2024. Bands from the U.S., Canada, and beyond were playing in the restaurants on Beale Street, so we got to enjoy some good BBQ and blues music. A few shots of the performers, which don’t at all capture the experience:
We also visited the Blues Hall of Fame, the Rock and Soul Museum, the Stax Museum, and Sun Studios.
Top row: Before he opened Sun Records (left), to distribute the recordings, Sam Phillips ran the Memphis Recording Service (center). Some of earliest artists to record with the Memphis Recording Service included B.B. King and Ike Turner, whose “Rocket 88” with Jackie Brenston is considered by some to be the first rock and roll record (right). Bottom row: A replica of Memphis DJ Dewey Phillip’s studio (left). Dewey Phillips used to smash records he hated on the floor so that no one else would ever play them (see the vinyl shards in the lower right corner). He played the first copy of Elvis’ “That’s Alright Mama” (center) which elicited such a reaction he played it another 14 times during his show. Elvis recorded it, and other Sun artists recorded their songs, in the Sun Records recording studio which is still in use today (right).
For some reason, I took no photos inside the Stax Museum. In the late 1950s and the 1960s, when the rest of Memphis was segregated, Stax was one of the few places where black and white artists and staff could work together as equals; when Martin Luther King, Jr. was assassinated, while rioters destroyed much of the neighborhood, no one touched the Stax building because it was so esteemed by the community. In the aftermath of the assassination, however, divisions began to form along racial lines; and despite having a stellar group of artists and songwriters—including Sam and Dave, Otis Redding, Booker T. & the MGs, Isaac Hayes, and others—a series of bad distribution deals ultimately led to Stax’s bankruptcy. Today, there is a music charter school attached to Stax, but the neighborhood looks to have not recovered from the riots.
Next: the National Civil Rights Museum at the Lorraine Motel
On our first night here, a water pipe burst in one of the garage stairwells due to the cold. This triggered the fire alarm, and we all had to exit the building. We were allowed back in almost immediately, but the alarm kept going for another hour, until the hotel staff could override the alarm system.
On our fifth day, another hotel water pipe burst, resulting in a water shutoff for the whole building. The South is going to have to learn about pipe insulation. ↩︎
The roadmaps are starting to get complicated, so let’s just get to it:
This is what they call winter road conditions in Birmingham?
We next set out for Birmingham, planning to arrive in the evening and see the Civil Rights Museum the next day. When we woke up and checked the museum’s website, however, we saw that it was closed due to winter weather. Incredulous, we checked out of the hotel. We were at least able to visit the 16th Street Baptist Church and pay our respects.
The memorial to Addie Mae Collins, Cynthia Wesley, Carole Robertson, and Carol Denise McNair. A statue of Dr. King is in the background.
As we began our drive to Memphis via Muscle Shoals, however, we began to understand why the city had decided to shut down.
It doesn’t take much ice on the road to shut down a region that isn’t used to driving on it.
We took backroads to Muscle Shoals.
My first Confederate Flag sightingA churchMaybe a churchA service station which is not a church
Finally, we reached the legendary Muscle Shoals recording studio, which also was closed because of the weather.
That’s it, folks, thanks for coming.
Abby saw a sign for Tuscumbia, the town where Helen Keller was born, so we drove past the house, which is now a museum.
And with that, we drove back into Tennessee, to Memphis.
From Atlanta, we drove to Montgomery, AL. On our way, we realized that we’d be spending Martin Luther King, Jr. Day in in the city that started the civil rights movement.
Our first stop was the National Memorial for Peace and Justice, which commemorates the victims of lynchings between 1877 and 1950. Each county where a lynching took place has one hanging steel column with the names of the victims engraved.
The memorial includes some detail on the events that sparked the lynchings, and they are horrific:
After Calvin Mike voted in Calhoun County, Georgia, in 1884, a white mob attacked and burned his home, lynching his elderly mother and his two young daughters , Emma and Lillie.
Elizabeth Lawrence was lynched in Birmingham, Alabama, in 1933 for reprimanding white children who threw rocks at her.
Jim Eastman was lynched in Brunswick, Tennessee, in 1887 for not allowing a white man to beat him in a fight.
A black man was lynched in Millersburg, Ohio, in 1892 for “standing around” in a white neighborhood.
After a white man attempted to assault Jack Brownlee’s daughter in Oxford, Alabama, in 1894, Mr. Brownlee was lynched for having the man arrested.
Anthony Crawford was lynched in Abbeville, South Carolina, in 1916 for rejecting a white merchant’s bid for cottonseed.
Henry Patterson was lynched in Labelle, Florida, in 1926 for asking a white woman for a drink of water.
And so on.
The next day, we went to the Rosa Parks Museum and the Civil Rights Legacy Museum, both of which were quite good. The story of the Montgomery Bus Boycott is fascinating. (No photos were allowed in either museum.) But first was the Martin Luther King, Jr. Day parade. There were some high school bands, Greek letter organizations, political candidates, and civic groups, and a replica of the bus on which Rosa Parks refused to give up her seat.
I was surprised to see so few people along the parade route, but Montgomery, despite being the state capital, seems to be a hollowed-out city. It is very low density, with few tall buildings, and also apparently economically distressed. Granted, these photos were taken on a Sunday and on MLK Day, but the vibe was one of emptiness.
We went to Atlanta to visit family and friend. And some other friends: specifically, the muppets. Atlanta hosts the Center for Puppetry Arts, which houses the world’s largest collection of Jim Henson artifacts.
A selection of the exhibits. Note the proto-Bert muppet “Brad.”
There also are historical puppets and some other favorites from film, TV, and theater in the rest of the museum.
As an aside: because of either planned arrival times or bad weather, we had to bypass the Kentucky Museum of American Pocket Knives, the American Museum of the House Cat, and the National Bird Dog Museum. Sorry for those of you who would have liked to see them. We did, however, go to the first KFC restaurant, in Corbin, KY, which evolved from a service station to a cafe to a worldwide chain of restaurants. There is more Colonel Sanders memorabilia than I could have imagined.
From Pigeon Forge we went to Asheville, NC after we realized it was only two hours away. Our original plan was to stay in Asheville for three days only, but as soon as we started looking around, we realized that we wanted to stay longer—not because there was so much to do, but because the city was so nice. It has much of its early 20th century architecture, many excellent restaurants and art galleries, and a definite hipster vibe. Basically, any building that could have been turned into an artists’ market, a coffee bar, or a restaurant, has been.
George Washington Vanderbilt painted by John Singer Sargent as a young man. Tell me he wasn’t a hipster.
The gem of Asheville is the Biltmore Estate, the home of George Washington Vanderbilt. Vanderbilt—the grandson of railroad and shipping magnate Cornelius Vanderbilt—had the home constructed in 1889-1895. It remains the largest privately-owned house in the U.S., with 33 bedrooms and 43 bathrooms and 250 rooms overall—a particularly impressive size given that the Vanderbilt household consisted of only him, his wife, and his daughter. It’s also impressive given that George Vanderbilt was an art collector, was not involved in the family business, and built the house entirely from his inheritance.
The Vanderbilts seem to have used the house mostly for week-long house parties. Let’s see how the other half lives. (Click on each photo for a better view.)
This is the Tapestry Room, a 90-foot-long gallery hung with wool and silk Flemish tapestries from the 1500s. The Billiard Room, easily accessible from the Bachelors’ Wing.The dining room, with a 70-foot vaulted ceiling and a table that holds 38.The breakfast room, which holds two John Singer Sargent portraits and two small Renoirs.The library, with more than 23,000 leather-bound volumes.Vanderbilt’s bedroom.Mrs. Vanderbilt’s bedroom.The Oak Room between the two bedrooms, with a portrait of daughter Cornelia.One of the many guest bedrooms.The basement bowling alley. A servant stood behind the right rear column to reset the pins and return the balls.The indoor swimming pool.The gymnasium.
We were not allowed to take many photographs of the backstairs areas, but the quarters for the servants who lived onsite were, for the time, comfortable. There were 21 rooms on the top level for maids and the guests’ maids and nannies, rooms above the stable for male staff, and a few rooms in the basement for the kitchen staff.
One of the nicest bedrooms, probably for the cook or chief housemaid.One of the kitchens.One of the pantries.
The original estate was 125,000 acres, which is roughly nine times the size of Manhattan, and it featured a working dairy farm as well as gardens and hunting grounds. The estate’s grounds were designed by Frederick Law Olmstead, whose portrait (by Sargent) hangs in the family room. Over the years, land was donated to the U.S. National Park Service or sold to pay for the estate’s expenses, and it now is only 8,000 acres, or just over half the size of Manhattan. Vanderbilt’s descendants still own the property, but have not lived there since 1956.
If it weren’t for Dolly Parton, Pigeon Forge would probably be known its outlet malls and local amusement parks. But because of Dolly Parton, who grew up in nearby Sevierville, Pigeon Forge is primarily known as the home of Dollywood.
Dollywood is the latest version of an amusement park that had operated on the site in various forms since 1961. Dolly put her name on it in 1986, and it has since grown to be the largest employer in the area. As the park has expanded, it has taken on more of Dolly’s personality, with attractions that reflect the places she grew up (e.g., a replica of her family home; the diner where she had her first hamburger, and the theater where she first performed).
We were there during the last week of the park’s operation, right before it was going to close for the winter. Abby had the sense to ask a staffer whether it was better to buy tickets at the window or from a self-service kiosk, and the staffer told her that “the owner” was in the park that day and had told the staff to hand out a supply of “Friends and Family” passes that were going to expire that weekend. As a result, although we never saw her, we were Dolly Parton’s guests. (For all we know, though, the staffer could have been referring to someone from Herschend Family Entertainment, which co-owns the property, but we’d rather think that Dolly’s hand was in it.)
It was still Christmas at Dollywood, but it also was bitterly cold, and the park was nearly empty.
Even as the park began to fill, we still waited no more than 10 minutes to get on any of the rides. Dollywood has some impressive roller coasters.
What do you do in Bowling Green? You visit the National Corvette Museum. Bowling Green is home to both the Corvette Museum and the Corvette factory.
The 1953 CorvetteMore Corvettes for those of you who like Corvettes.
Fun fact: on February 12, 2014, a sinkhole opened beneath the museum and swallowed eight Corvettes.
This part of Kentucky sits above miles of cavern, as we discovered when we visited Mammoth Cave. Mammoth Cave is the longest known cave system in the world; more than 400 miles of cave passages have been surveyed, with countless additional miles yet to be explored. The bit under the Corvette Museum aside, most of the limestone cave system lies under a sandstone layer which protects the cave ceilings from water erosion and eventual collapse.
The first section we visited had been a saltpeter mine (worked by slaves, naturally) during the War of 1812. After the war, the demand for black gunpowder shrank, so the cave owners—the caves were owned privately until the government bought the land, in 1926—opened the caves to tourists. These visitors (and soldiers who used the caves during the Civil War) used candle smoke to write their names on the cavern ceiling. Anyone caught doing that today would be charged with a felony.
Incredibly, the smooth, almost rectangular shape of the cavern was formed naturally, through water erosion. There still are rivers flowing far beneath this level of the cave system.
In other parts of the cave, water did come in through sinkholes, which resulted in the more familiar sorts of rock formations.
We also visited Bernheim Forest, to see the Forest Giants. These giants—named Mama Loumari, Elina, and little Nis—are the works of Danish artist Thomas Dambo, who built them from recycled wood.
We left Cincinnati to drive to Bowling Green, to visit friends and to see Mammoth Cave. Since Louisville was on the way, and since both Colonel Sanders and Muhammed Ali are buried in Louisville’s Cave Hill cemetery, we had to stop there.
Below Muhammed Ali’s grave is a stone set in the ground that reads “He took a few cups of love, he took one tablespoon of patience, one teaspoon of generosity, one pint of kindness. He took one quart of laughter, one pinch of concern, and then he mixed willingness with happiness, he added lots of faith and he stirred it up well. Then he spread it over a span of a lifetime and he served to each and every person he met.“
Theirs were not the only ornate memorials. This one, for local magician Harry Leon Collins, also caught our eye. His stone reads: “He comes to you with top hat donned. White gloves flash with a sleight of hand that stretches reality beyond. The twinkle in his eyes hides the secret he will never share. With awe, you feel your heart’s great thrill like none you can compare. What lies in the heart of this man? Drawn to him are the children of the land. They know that love flows in abundance, for his heart and soul are reflected in his smiling glance. And now gathered here, with tears in our eyes, grief in our hearts and stiff proper smiles, we honor this great loving man. Never again will we see the twinkle of his eye — the sleight of his hand that drew the children of the land.” That it took twice as long to eulogize local magician Harry Collins as it did to eulogize the Greatest was unexpected, but I subsequently learned from Wikipedia that Harry Collins was the official corporate magician for the Frito-Lay Corporation. “He promoted Frito-Lay products while doing magic tricks, and was known both as ‘Mr. Magic’ and as ‘The Frito-Lay Magician.'” Well, then.
Next, we visited the Hillerich & Bradsby Company factory. You don’t know the Hillerich & Bradsby Company? Of course you do: they make the Louisville Slugger.
The wood—birch, maple, or ash, from trees harvested from H&B’s tree farm in Pennsylvania—is shaped into billets. Some baseball players have a reserve of their own billets from which their personal bats are made. The billets are then shaped into baseball bats by machine and finished. The factory has some of the greats’ bats available for visitors to hold (but not swing).